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Maeve Higgins on her big family, migration, and making fun of Angie.
Maeve Higgins on her big family, migration, and making fun of Angie.

EP 034

February 8, 2022

Maeve Higgins on her big family, migration, and making fun of Angie.

Show Notes:

This week on Lit Up, Angela speaks with comedian, podcaster, actor, and her friend Maeve Higgins. Angie and Maeve talk about her big family, how going back to school to study migration has influenced her comedy, and about the time she accidentally ingested THC. She also unmasks Angie as a loving friend who nevertheless finds any opportunity to give Maeve a hard time.

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As an eternally curious outsider, Maeve Higgins can see that the United States is still an experiment. Some parts work well and others really don't, but that doesn't stop her from loving the place and the people that make it. With piercing political commentary in a sweet and salty tone, these essays unearth answers to the questions we all have about this country we call home; the beauty of it all and the dark parts too.

Maeve attends the 2020 Border Security Expo to better understand the future of our borders, and finds herself at The Alamo surrounded by queso and homemade rifles. A chance encounter with a statue of a teenage horseback rider causes her to interrogate the purpose of monuments, this sends her hurtling through the past, connecting Ireland's revolutionary history with the struggles of Black Americans today. And after mistaking edibles for innocent candies, Maeve gets way too high at Paper Source.

Read More

As an eternally curious outsider, Maeve Higgins can see that the United States is still an experiment. Some parts work well and others really don't, but that doesn't stop her from loving the place and the people that make it. With piercing political commentary in a sweet and salty tone, these essays unearth answers to the questions we all have about this country we call home; the beauty of it all and the dark parts too.

Maeve attends the 2020 Border Security Expo to better understand the future of our borders, and finds herself at The Alamo surrounded by queso and homemade rifles. A chance encounter with a statue of a teenage horseback rider causes her to interrogate the purpose of monuments, this sends her hurtling through the past, connecting Ireland's revolutionary history with the struggles of Black Americans today. And after mistaking edibles for innocent candies, Maeve gets way too high at Paper Source.

Read More